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Ossory 4.2 · shot matching across whole reels

Colour that holds from the first reel to the last.

A grading suite for film colourists. Ossory matches every shot to your hero frame, keeps skin honest under any light, and has 6K dailies rendered before the director is back from lunch.

Download for macOSWatch the 3-minute reel
  • −2 daysoff a feature's grading schedule, on average
  • 6KProRes 4444 playback with no proxies
  • 11 msfrom turning a wheel to the monitor

01The grade room

Built for people who grade by eye, not by slider.

Six tools that do the dull part of matching a film, so the hours go to the look itself.

  1. Shot match

    Pick a hero frame. Ossory reads its exposure, contrast and white point and carries them to every shot in the reel, scene by scene.

    40 minto balance a 90-minute cut

  2. Skin line

    A vectorscope line that skin tones snap to, so faces stay faces under sodium streetlight and LED volume alike.

  3. Node memory

    Every node tree remembers the shots it graded. Change a look once and it updates the whole scene.

  4. Film print emulation

    Measured from 2383 and 3513 stock on our own scanner, not borrowed from a LUT pack.

  5. Review in the room

    Directors scrub the timeline and leave notes on the frame from an iPad in the suite. No exports.

  6. Deliver in one pass

    DCP, HDR10, Dolby Vision trim passes and web masters from one queue, checked against the spec before they render.

    14delivery specs built in

02Inside Ossory

One window. The whole reel in view.

The shot list, the match to your hero frame and the scopes sit in one window, so you never grade a shot without seeing the shots around it.

Harbour at Night · Reel 3 · v7

  • Grade
  • Match
  • Deliver

041C Lanterns00:19

Match to hero frame

98.4%

+6.1 since version 6

Primaries

  • Lift−0.02
  • Gamma+0.06
  • Gain1.08
  • Saturation94%

Scene 41 shots

  1. 041A Pier, wide00:12
  2. 041B Mara, close00:07
  3. 041C Lanterns00:19
  4. 041D Jonah, OTS00:05
  5. 041E Boat insert00:03

Luma across the scene

01

Matched to 041C

The lantern shot is the hero frame; the rest of the scene follows its white point.

02

Skin held at 123°

Mara's close-up stays on the skin line through the sodium light.

03

Rendered on the fly

Every change plays back at 6K on the reference monitor, no cache.

03Pricing

Priced per suite, not per seat.

Every plan has the full grade room. You pay for how many suites run it and how much you deliver.

Two months free yearly

  1. Freelance

    One suite, for colourists who move between houses.

    $29 per mo

    Per suite, per month

    Start free for 30 days
    • Shot match and skin line
    • 6K playback on one GPU
    • Web and ProRes delivery
    • Remote review for one director

  2. Studio

    Most houses

    Up to six suites sharing projects, looks and node memory.

    $79 per mo

    Per suite, per month

    Start a studio trial
    • Everything in Freelance
    • Shared looks and node memory
    • HDR10 and Dolby Vision trims
    • Film print emulation
    • Review for the whole crew

  3. Facility

    For post houses with a machine room and a delivery desk.

    Let's talk

    Volume pricing from 7 suites

    Book a demo
    • Everything in Studio
    • DCP and broadcast delivery
    • On-premise licence server
    • A colour scientist on call